Premiere: Camp Edwards unveil exclusive performance at American Football house

By Marvin Dotiyal, Features Editor [Photo by Tony Sherifi] Up-and-coming Chicago emo/indie-rock quartet Camp Edwards recently rocked the basement at the American Football house (yes, the American Football house) and are sharing their performance of “Beloit” from their forthcoming debut EP of the same name.  Read more: Album Review: American Football – American Football (LP3) Employing…

Q&A: Something Else

By Evan Gallagher, Contributor Photo by Harley Wince, Visual Media Director Q&A with frontman Aidan Hall of Columbus-based post-pop quartet Something Else. So, how’d you guys meet and form as a band? Aidan: I’ve known Colin [McMillen] (bass) since he was five—his mom used to babysit my sister. I met Landon [Gruszewski] (guitar) when we…

Q&A: Bewarewolves

By Jonah Krueger, Contributor Photo by Harley Wince, Visual Media Director Q&A with guitarist and vocalist Noah Gfell, drummer Ben Gfell and guitarist Aidan Matney of Bewarewolves. How was your trip down to Athens? Aidan: It’s not bad, I haven’t made it in a long time. Noah: I came down here a lot over the…

Lobsterfest 2019 Q&A: galen tipton

By Kiah Easton, Columns Editor Photo by Joey Medlen  Q&A with galen tipton, Columbus electronic dance and experimental artist.  Can you tell me about your upcoming project on Orange Milk? galen: I’ve been working on this project for almost three years now alongside other things I have already put out. This project has kind of…

Lobsterfest 2019 Q&A: Lung

By Maria Lubanovic, Copy Editor Photo by Harley Wince, Visual Media Director Q&A with Cincinnati’s Lung with Kate Wakefield on electric cello and vocals and Daisy Caplan on drums. How was playing Lobsterfest? Kate: It was awesome. We had a lot of fun. Daisy: A blast is a good word. Have you played here in Athens…

Lobsterfest 2019 Q&A: Burger Big

By Kayla Chanthavong, Contributor Photo by Harley Wince, Visual Media Director Q&A with guitarist Carter Hickman, drummer Cobi Powell and bassist Gabe Dooley of Burger Big. What are your goals with Burger Big? Carter: Well, Cobi and I will be in Columbus next year, and Gabe will be here, so we’re not sure. Cobi: Well,…

Artist Profile: Andrés

By Marvin Dotiyal, Features Editor [Photos by Blacksheep Imaging] “When you’re up on a stage, don’t be the hero that they want, but what they need,” Andrés gracefully sings in the closing lines of his Heroes, Villains, and All That Jazz opener, “Andrespacito”. Reiterating his father’s teachings to be more than just a musical artist but…

Emo Prom 2019 Q&A: Tweens

By Kwase Lane, Staff Writer [Photo by Joe Medlen] Q&A with guitarist and vocalist Bridget Battle and guitarist Phil Valois of Tweens. So, you guys have been together for a while, right? Bridget: No, not necessarily. I’ve been a part of Tweens since about the latter half of 2012 and I had an initial lineup…

ACRN’s Top 10 Disappointing Albums of 2018

1. Arctic Monkeys – Tranquility Base Hotel & Casino, [Domino; 2018] By Maria Lubanovic, Copy Editor From the minute that lead singer Alex Turner sings the first line, we can immediately tell that Tranquility Base Hotel & Casino is an Arctic Monkeys album. Unfortunately, all other uncanny stylistic choices have gone by the wayside. Sometimes, choices…

ACRN’s Favorite Tracks of 2018

Jon Fuchs, Music Director: Dean Blunt – “Chancer (feat. A$AP Rocky)” It’s crazy that the best hype track of 2018 is a minimal masterpiece with no actual beat at all. Acting as the opening track on his latest EP, Soul On Fire, Dean Blunt’s “Chancer” is based solely on a constantly looping strings sample, Blunt’s…

ACRN’s Top 10 Movies of 2018

1. BlacKkKlansman, [Focus Features; 2018] By Jessica Jones, Staff Writer Set in the 1970s during the middle of the civil rights movement, black police officer Ron Stallworth infiltrates a local chapter of the Ku Klux Klan by posing as a white man. Based on a true story, this film depicts the real-life events of what occurred in…

Someday Came Suddenly: Celebrating 10 Years of Crabcore

By Marvin Dotiyal, Features Editor It’s 2008. You’re contemplating your MySpace profile song at a sweaty Warped Tour set with your long-haired friends in their deep, black V-necks and the tightest jeans with just enough stretch to land the spin kicks. Metalcore was rapidly changing at the time, with more commercialized exposure and an influx…