North Carolina rock trio Sinai Vessel are no stranger to doing a lot with a little. Last year’s excellent and understated Ground Aswim feels like a master class in the use of sparse instrumentation and minimal production to achieve an impactful sound. Track after track is carefully composed and executed beautifully, culminating in what is undoubtedly one of the best indie rock records of 2020. Great news: there’s more.
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Album Review: Tigers Jaw – I Won’t Care How You Remember Me
By Ethan Bloomfield, Staff Writer
Key tracks: “I Won’t Care How You Remember Me”, “Lemon Mouth”, “Anniversary”
In the past year, Indie rock and DIY music in general have taken a major hit, and much of the grassroots music industry appears to be in dire straits. Nevertheless, as this year-long catastrophe rages on, independent music has found a way to shine through. Whether that be Sinai Vessel’s excellent Ground Aswim last Halloween or The Mountain Goats’ lo-fi quarantine tape, Songs for Pierre Chuvin––the stripped-back, quarantine-inspired album is a growing musical trend––musicians have found a way to get their message to people regardless of restrictions and problems associated with COVID.
Album Review: Sinai Vessel – Ground Aswim
By Ethan Bloomfield, Contributor
[Single Occupancy; 2020]
Key tracks: “Where Did You Go?”, “All Days Just End”, “Antechamber”
The rise of maximalism in music is an arms race soon to come to a close, but being as blown out, loud and abrasive as possible can only go so far. It is a spectacle, but one with a firm ceiling until noise becomes a Merzbow-esque discordance of sound and static. All that to say this: understatement in music is almost unfashionable in the modern zeitgeist. The meteoric rise of the likes of 100 gecs might seem like a death knell for the stripped-back, contemplative sounds of Sinai Vessel, but this contrast works to the North Carolina indie rock outfit’s advantage; this true alternative manifests itself in their second studio album, Ground Aswim. It’s an understated and expressive piece of indie rock that’s full of bare-naked lyrics and poignant instrumentals to achieve a captivating, though quiet, forty-seven minutes.