By Nicholas Vermaaten, Contributor

[Mysterium Valley FXP; 2023]

Rating: 8/10

In recent years, there has been a societal interest in films about the less savory aspects of extreme wealth and those who hold it. While it has only released two of its four episodes, the limited series A Murder at the End of the World seems to be a worthwhile addition to this trend of socially conscious filmmaking.

The series follows Darby Hart (Emma Corrin), a Gen-Z hacker, whose interest in true crime narratives catches the attention of world-famous philanthropist Andy Ronson (Clive Owen). After a face-to-face encounter during one of Hart’s book tours, Andy takes it upon himself to invite her to his upcoming Icelandic retreat of business tycoons and media moguls. There, Darby reunites with her estranged lover Lee Anderson (Brit Marling). Just when it seems Darby and Lee have rekindled a forgotten connection, Lee is found murdered in her hotel room, sparking a murder mystery that Darby attempts to uncover.

Read more: Movie Review: The Beekeeper

While it is very hard to discern the overall quality of an ongoing limited series (since any number of missteps can happen in its final two episodes), so far I have been thoroughly engaged by this narrative and its characters. While many of the billionaires and millionaires who decorate the cast are a bit shallow, the performers have consistently elevated these characters through their engaging on-screen interactions with each other. 

Two highlights from this cast are Jermaine Fowler and Corrin, whose very different personalities are both pushed to the forefront by their actors’ performances. 

Beyond the cast and the narrative, what the series really excels at is its ambient score. Composed by Danny Bensi and Saunder Jurriaans, the score feels at home in the show’s snowy environment, while featuring a techno-inspired twist that matches the billionaire playground in which Darby finds herself. 

The cinematography is also excellent, using lighting, contrasting colors, and empty space to create atmospheres that accentuate both the show’s location, as well as the narrative’s emotional beats. The final shot of episode one especially deserves praise, as its use of darkness really encapsulates Darby’s fear of her current situation.
A Murder at the End of the World is an engaging murder mystery that is heightened by its anti-capitalist theme and excellent filmmaking. I look forward to seeing its last two episodes coming out later this month.